![]() Doumer, there was no exhibition or special buildings from Cochinchina, Cambodia, Tonkin, etc. Saint-Germain, senator, deputy director of the colonial exhibition, showed a very appreciated activity and taste. Jules Charles-Roux, delegate of the Ministries of Foreign Affairs and Colonies, and of Mr. This commission, which was placed under the high direction of Mr. du Houx de Brossard, Alexandre Marcel, Decron, Maréchal, architects, Louis Dumoulin, Paul Merwart, painters of the Navy and the Colonies, Lesuire, honorary resident, Blanchet, director of the Cochinchina river messengers, Denis Guinaut and Henri Armand, secretaries of the Indo-Chinese exhibition. Paul Doumer was assisted in the execution of this beautiful plan by his delegates, Messrs Pierre Nicolas, commissioner, and Jean Suricaud, deputy commissioner, helped by a commission composed of distinguished architects such as Messrs. The general idea that the governor had had was to give exactly the feeling of the administrative, economic and moral unity of our great Asian territory which owes its definitive form to him today. Paul Doumer, whose administration is so fruitful, so full of happy results for the colony to which he devotes, without counting the cost, all his intelligence, all his energy, all his incredible working power. It was almost a small Indo-Chinese city which had been built at Trocadero, on the inspiration of the Governor General, Mr. du Houx de Brossard, Alexandre Marcel, Decron, Maréchal To portray the wind, their open, basketlike costumes swirl and spiral.Architect(s) : MM. To portray the savanna, a procession of cast members balancing large flat boxes of tall grass on their heads fill the stage. The pack of hyenas, with their bobbleheads and bristly undulating spines, are sinister and scary. ![]() The way Taymor represents all manner of animals is at once fantastic and charming. Only clothing of leather, beads and patterned fabric suggests their animal bodies. The lions' masks only partially conceal the faces of the human men and boy who wear them, and with a clever mechanical trick can be moved above their heads and out of the way. There's an intriguing anthropromorphic aspect, too. There's not much to it, but it has mythical dimensions to which children and inner children can relate. (Taymor's staff went to Kenya to watch real animals move.)Īnd then we settle down to the business of the plot, a "Hamlet"-like royal succession tale involving a loving lion patriarch, Mufasa his fiesty little son, Simba and the son's menacing uncle, Scar, who conspires to be king. Some are puppets (there are more than 200 in the show), some are kites, and others have people inside. The pachyderm passed safely, however, and climbed on stage to join an extravaganza of sweeping birds, leaping gazelles and towering giraffes. That's what you see in Hartford.Īs a life-size elephant, mobilized by four actors, lumbered from the rear, I warned my seatmate on the aisle about a close encounter of "The Lion King" kind: If he didn't move his head a bit, one of the beast's 2-foot tusks might snag his outer ear. Made the Broadway version a glorious celebration of Africa with an all-black cast authentic African song, dance and percussion and animals without end. The 1994 Disney movie that the musical was based on is set in a foreign land with no specific ethnicity, but director-designer Mesmerizing music and super-imaginative animals and images come at you from the right, from the left, from the balcony, from the back of the room. (To say nothing of a top ticket price of $80.) You wait patiently for the curtain, checking out collections of native drums on either side of the stage.Īnd then, "The Lion King" explodes like a fireworks show - with small bursts of sight and sound becoming layer upon layer of spectacle.
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