![]() French Literary Fascism: Nationalism, Anti-Semitism, and the Ideology of Culture, analyzes the formative role of organic, totalizing views of literature and aesthetics in the work of a number of extremist nationalist writers at the turn of the century and in the writings of fascist, anti-Semitic intellectuals during the 1930s and 1940s. Paraesthetic: Foucault, Lyotard, Derrida, consists of an analysis of the disruptive critical function played by what I call "the (para)aesthetic" in the philosophical and political texts of three important contemporary French theorists. In The Subject in Question: The Languages of Theory and the Strategies of Fiction, I investigate critically a wide range of theoretical positions in relation to the philosophical and historical issues raised by contemporary forms of fiction, and most particularly by the novels of Claude Simon. My research reflects this general interest in different ways. I have always been interested in the way approaches to literature that are concerned with questions of literary specificity and textuality can also open up critical perspectives on historical, philosophical, and political problems. I also teach in the Critical Theory Emphasis. ![]() I teach courses on 19th and 20th-century French fiction, on literary and historical-cultural topics related to the Dreyfus Affair, World Wars I and II, and the Algerian War, and on problems such as nationalism, postcolonialism, and cultural identity. Presented by the Regina A.My research and teaching have for some time focused on the problem of the relations between literature and fields such as philosophy, history, and politics. For more information visit, and to attend the online lecture on Wednesday, March 3 at 7:30 p.m. tune in to .ĭavid Carroll: “Data Quest: Exposing Cambridge Analytica and the Reclaiming of My Voter Profile” The OVF Espresso Series virtual event “Data Quest: Exposing Cambridge Analytica and the Reclaiming of My Voter Profile” by David Carroll is free and open to the public. ![]() In addition to The Great Hack, coverage of his confrontation with Cambridge Analytica has appeared in articles written for Wired, Quartz, The Guardian, Motherboard, The Boston Review, and numerous international publications. They're not fit for the purpose.”Ĭarroll, an associate professor of media design at The New School’s Parsons School of Design in New York City, holds a BA in religion and art history from Bowdoin College and an MFA in design and technology from Parsons. “We can see that the existing tools we have are not succeeding at what they're supposed to do. We don't have effective ways to hold companies accountable and to enforce when they commit data crimes because we don't even have a way to define, let alone prosecute, these data crimes,” Carroll told Business Insider in an interview with the financial and business news website. “Data protection is a structural problem. data rights continue to lag behind other countries. In his lecture, “Data Quest: Exposing Cambridge Analytica and the Reclaiming of My Voter Profile,” on Wednesday, March 3 at 7:30 p.m., Carroll will spotlight the inadequacies and vulnerabilities of big data, educate listeners on the perils of information theft and third-party surveillance, and reveal how U.S. His pursuit of data privacy became the subject of the BAFTA-nominated Netflix original documentary The Great Hack (2019), which revealed the dark side of social media in the wake of the 2016 election. when he legally challenged the firm for access to the information in his voter profile, resulting in the only criminal conviction of now-shuttered Cambridge Analytica by Britain’s Information Commissioner’s Office. presidential election.ĭavid Carroll became one of the best-known crusaders for data protection rights in the U.S. In 2018, it was revealed that Cambridge Analytica, a British political consulting firm, had improperly obtained the personal data of more than 87 million Facebook users in order to influence both the Brexit referendum and the 2016 U.S.
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